Current Traffic

Friday 19 June 2009

Post 117 - The Ferrets - Are You Looking At Me / Holloway


In early 1975 The Ferrets came together in Sydney. They were Billy Miller, Ken Firth and Dave Springfield who put the band on hold while they joined the final version of Buster Brown. When Buster Brown split in November '75 Phillip Eisenberg joined the others and The Ferrets moved to Melbourne. The band came to the attention of Ian "Molly" Meldrum who introduced the band to ex Zoot drummer Rick Brewer who joined in April '76. Miller’s sisters Jane Miller and Pam Miller also joined and now they were a seven-piece band. After getting them signed to Mushroom Records the band went into the studio to work on an album. The first single "Robin Hood" was not successful but the follow up "Don't Fall In Love" made #1 in Melbourne and #3 nationally. The Ferrets' début album was a concern at Mushroom Records as Meldrum had not organised an album cover, a white hand stamped cardboard sleeve was issued with a promise of the album artwork to follow! Their follow up single "Janie May" reached #19 in Melbourne, and the long awaited album cover depicted a model holding a snarling ferret on her shoulder. The next single to come in 1978 was "Are You Looking At Me" b/w "Holloway" (K-7094) was not successful with Jane Miller and Ken Faith leaving the band shortly after. This single never made it onto the follow up album "Fame At Any Price." Here to download is that single and it's B side written by Jane Miller, which we say in our opinion is far better than the A side.

Sunday 14 June 2009

Post 116- Ol' 55 - The Vault LP


This was Ol' 55's 5th LP recorded for Leo Records between February and September 1980. The album released their eighth single a cover of Lou Christie's "Two Faces Have I" which went as high as #15 on the national charts. The personnel for this recording were Pat Drummond guitar, Rock Pile vocals/guitar, Bob Drummond guitar, Terry Bellew bass, Doug Martin drums on 4 tracks and Geoff Plummer drumming on the other 9. Michael Delaney did the backing vocals on "Who Put The Bomp". A second single from "The Vault" "Anywhere The Girls Are" hit the charts in December but Ol' 55 split soon after. Here is "The Vault" (2907 501) for you to download another great LP never as yet to see CD.

Post 115 - Jim Keays - Undecided - Dubcided

Jim Keays recorded this single at Britannia Row, London. The single was produced by Craig Leon and programmed by Chris Allison and Craig Leon at the Skylight Suite, London. Guitars by Kevin Greene and Sweet's Andy Scott. The single was released on Virgin Records in 1987. Here to download is "Undecided" b/w "Dubcided" (VOZ 017). Graham Meek did the engineering.

Thursday 11 June 2009

Post 114 - Lucky Starr - Lucky's Been Everywhere EP


"I've Been Everywhere" by Lucky Starr in 1962 ( #1 Sydney #2 Melbourne #1 Brisbane #1 Adelaide #4 Perth) which contains 94 Aussie place names, sparked off overseas demand for Lucky to record the same idea to other countries. Geoff Mack, who penned the song was touring the Australian outback but urgent telegrams brought him flying back to Festival Records with new lyrics using place names for New Zealand, Great Britain and the U.S.A. Lucky then had the task of learning the new lyrics and recording them in record time. Here for you to download is that EP by Lucky Starr "Lucky's Been Everywhere" (FX-10.485)

Post 113 - Rick Springfield - Beginnings LP


Rick Springfield was born Richard Lewis Springthorpe at Merrylands, in Sydney’s western suburbs, on August 23, 1949. Rick began playing with local Melbourne bands but his musical career didn’t begin in earnest until he was dropped out of high school in 1967. He joined the band Rockhouse in 1968 they landed a regular gig at a nightclub in St. Kilda. Rick and Danny Finley formed a new band in early '69, Wickety Wak. They recorded one song, “Billie’s Bikey Boys”, written by Johnny Young and produced by "Molly" Meldrum. The single is now considered a classic of Australian psych-pop. Rick joined Zoot late in 1969, and only months later, in early 1970, the pink jumpsuits (which Rick hated) were set on fire on a T.V. music show Happening '70. Zoot stunned the audience with their pounding heavy-metal version of the Beatles’ "Eleanor Rigby", also arranged by Rick. In December 1971 Rick left to work in the USA and later that year his first solo single, "Speak to the Sky", was released on Robie Porter’s Sparmac label and it reached #5 on the Australian national chart. During early 1972 Rick recorded his debut album Beginnings at Trident Studios in London; he featured on lead vocals and played many of the instruments including keyboards, guitars and banjo. In May he travelled to Japan to represent Australia at the Tokyo Song Festival with "Speak To The Sky". Rick's album produced two additional Australian hits "Hooky Jo" and "What Would The Children Think?" and later in the year Capitol released a new version of "Speak To The Sky" which gave Rick his first bona fide American hit, reaching #14 in September 1972. With his exceptional good looks and the record company’s determination to push him as Australia’s answer to David Cassidy, Rick quickly became a favourite of American teen magazines, and record sales increased rapidly despite the fact that the album was given very little airplay. His image was carefully maintained and Capitol even went as far as airbrushing out the hair on Rick's chest on the back cover photo on the US edition of the album. Beginnings was selling very strongly, 300,000 copies in the United States and "Speak to the Sky" was climbing the charts when a rumour began to circulate that Capitol Records was paying people to purchase it to artificially inflate sales of the album. It brought Rick’s chart ascent to a crashing halt, radio stations refused to play his songs and the momentum died overnight. A change in record companies should have made a difference, but Rick’s move to Columbia the next year was doomed from the start. Radio stations continued to avoid his songs, ensuring the failure of 1973’s Comic Book Heroes, Plans for a 1974 follow up album were scrapped. In August, 1981, after ten years in the American music business, Rick reached #1 on the American charts for the first time with "Jessie’s Girl". The following year, the song earned Rick a Grammy for best male rock vocal and the Working Class Dog album. Here to download is his first solo LP "Beginnings" (SPL-003)

Post 112 - Darryl Cotton - It's Rock 'N' Good Fun LP

Back in 1993 Darryl Cotton celebrated 25 years as an entertainer. Quite an achievement when you consider the unreliable nature of the business he has chosen as a career. The years have seen him pursue and succeed in the entertainment business such as singing, song writing, acting, theatre and television. Public life for Darryl began in 1968 as a founding member of rock band, Zoot. Along with Rick Springfield, Beeb Birtles and Rick Brewer, they managed to capture the heart of many a female fan in the late 60s and early 70s and will no doubt go down in Aussie rock history as one of our pioneer groups. Particularly memorable is their award-winning version of the Beatles "Eleanor Rigby", which still manages airplay over 20 years after its release. In 1984 he released the album "It's Rock 'N' Good Fun" (HAM 107) a collection of rock 'n' roll songs from the 50's & 60's. The backing band is a who's who of Aussie rock with the likes of Roger McLachian bass (Pyramid, Levi Smith's Clefs, L.R.B), Ross Ingles guitar, Wilbur Wilde sax (Ol' 55, Jo Jo Zep & The Falcons), David Jones drums (Pyramid) Adrian Scott keyboards (L.R.B) with backing vocals by Linda George, Penny Dyer (Bootleg Family Band) and Rozzi Bazzani (Hi Ho). The LP was recorded on Hammard Records and produced by Ross Cockle and Darryl. Here for you to download is that album.

Tuesday 9 June 2009

Post 111 - John Laws - John Laws E P

Richard John Sinclair Laws, born 8 August 1935 better known as John Laws or Lawsie, is a former prominent and controversial radio presenter in Australia. From the 1970s until his retirement on 30 November 2007 Laws hosted a hugely successful morning radio program, which mixed music with interviews, opinion, live advertising readings and listener talkback. Prior to joining 2UE in 1957, the first of four terms at that Sydney radio station, during which time Laws, along with Bob Rogers, Tony Withers and Stan Rofe became prominent as one of the first Australian disc jockeys to play rock'n'roll music. Laws is said to have pioneered the practice of using contacts in the airline industry to supply him with the latest pop releases from overseas, a facility which gave him an edge at a time when many pop records were not released in Australia until weeks or even months after being issued overseas. John also recorded many singles and LPs for RCA Records. One I liked was his cover of "Phantom 309" but for you to download now is his 1974 EP "John Laws" (20607) which contains 3 Shel Silverstein's songs, produced by Rocky Thomas and engineered by Bruce Brown.

Friday 5 June 2009

Post 110 - Delaney/Venn - Neon Heart LP

Formed in 1978 this electric pop band released 3 singles and an L.P. between '79 and '80. The band was made up of Michael Delaney vocals/guitar, Chris Venn vocals/guitar, Paul Wheeler (ex Billy Thorpe & The Aztecs, Band Of Talabene, MacKenzie Theory) bass, Chris Raggett (ex Matt Finish) guitar and Tony Doyle on drums, who has performed with bands such as Clockwork Strawberry, The Pirates and Wendy Saddington Band. This Tony Doyle actually replaced Tony Doyle (Savanna Silver Band). The second single "Prisoner" has Marcia Hines belting out backing vocals and Doug Rowe (ex Flying Circus, Grand Junction, Woodpickers) on guitar. Other musos on this album were Terry & MonaLisa Young, Lori Balmer, Gary Fredericks (ex Stuart Park), John Sammers (ex Outline) and Phil Rigger (ex Outline). Here for download is their one and only album out of 1980 on Leo Records "Neon Heart" (6437 132) produced by Tony Spencer.

Post 109 - The Hot Mamas - Eagle Rock / Eagle Rock

Not an Australian post this time but I still thought it appropriate The Hot Mamas were an American attempt in 1972 to cash in on the success of Daddy Cool's classic "Eagle Rock". When I came upon this single in a second hand record store I grab it because it was on Robie Porter's Sparmac label (as was Daddy Cool's ) and produced by Porter so I thought it had to be Aussie (the second time I've be caught with Sparmac releasing an American artist on it's label). Anyhow after going through book after book and surfing the net for hours nothing could be found on this band, so I thought there's only one man that might know the answer seeing he wrote the song, so I emailed Ross Wilson and this it the response I got....hi Garry,

All I can tell you about that single is that it was produced by Daddy Cool's producer Robie Porter.  DC's version of Eagle Rock had a good shot in the US & was a hit in a few places but after it failed to make the national chart i think Robie thought he'd have another shot with the song by cutting an American version.  All the players were well known session musicians & i believe that James Burton (Elvis's guitarist) played guitar & that Clydie king was lead vocalist, but it was all done very quickly and in my opinion didn't turn out very well.  Hot Mummas / Daddy Cool - an unsubtle play on words - it was released in Australia & bombed here too.
Stay cool,  Ross
So there you have it in a nut shell, and I must say I agree with Ross not the best cover of this song and in my opinion of all the covers I've heard of "Eagle Rock" none yet have come close to the original. But you might like it we are all different after all. So here for you to have a listen to (and please tell me what you think in the comment box) are The Hot Mamas "Eagle Rock" b/w "Eagle Rock" (SPR-017)

Post 108 - Linda George & Paul McKay - Love Is Enough / You Are Mine Tonight

Fill Moon Records was set up by singer Mike Brady, after doing backing vocals for Mike's Invisible Man LP Linda signed to the label and released the single "Love Is Enough" with Paul McKay in 1980 peaking at #25 in Melbourne. In '81 the follow up single "Telephones Lines" was issued, even though it received airplay it didn't chart well. Another single "Face To Face" in '82 was released on Full Moon but this flopped completely. Here to download is her first single for Full Moon produced by Mike Brady "Love Is Enough" b/w “You Are Mine Tonight" (FMS 1003) with Paul McKay.

Post 107 - Geoff Duff - Temptation's 'Bout To Get Me / Where Will I Be? (Tomorrow)

Jeff Duff (or Geoff Duff as the spelling on this recording says) is a Theatrical singer from Melbourne who fronted numerous bands, most notably Kush before moving to Britain for ten years in 1978. There he recorded for the Beggars Banquet label, and had some success with his single, Give Me Back My Brain, from the album Duffo, recorded with the participation of guitarist Peter Green. This single recorded for Mushroom Records in 1977 reached #39 in Melbourne. The A-side a cover of the 1965 U.S. hit by The Knight Brothers was penned by James Leon Diggs and the B side penned by Geoff. Here to download is that single out of '77 with its B-side "Temptation's 'Bout To Get Me" b/w “Where Will I Be? (Tomorrow)" (K-6764)