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Tuesday, 7 April 2015

Post 573 - Coconut Rough LP

Coconut Rough was formed in 1982 by lead singer Andrew Snoid, formerly with New Zealand bands The Whizz Kids, Pop Mechanix and Australian-based New Zealand group The Swingers, and guitarist Mark Bell. Bell later joined Snoid in a reformed Pop Mechanix. Other member were Dennis "Choc" Te Whare, keyboardist Stuart Pearce and drummer Paul Hewitt - and later guitarist Bones Hillman.They decided on the name "Coconut Rough" based on a type of sweet treat popular in Australia and New Zealand. The band's biggest hit was also their first single - "Sierra Leone" hit the top five in the 1983 New Zealand pop charts. The song was aided by one of the first New Zealand music videos with special effects. In 2001, "Sierra Leone" was voted the 94th best New Zealand song of all time by members of APRA.They were an opening act for The Police at their Western Springs concert in 1984, but had folded before the end of that year. Here's their one and olny LP recorded in 1984 for Mushroom Records "Coconut Rough" (L38216). The album was produced by Dave Marett and engineered by Graeme Myhre. It was recorded at Mandrill Studios in Auckland. Phil Judd did the painting for the front cover.mp3

Saturday, 4 April 2015

Post 572 - Patricia Stephenson - Somtimes - So Easy To Remember

Patricia Stephenson was a regular cast member of Channel 7 Perth's Stars of the Future in the 70s. She was of Burmese descent, and was a popular cabaret performer around Perth. Patricia won the 1973 series of Showcase, the same year as The Moir Sisters & stage star John Lidgerwood appeared. She made her acting debut  in Channel 10's other sex 'n' sin soap "The Box" as Suki King . In 1975 she recorded this single for Fable Records "Sometimes" b/w "So Easy To Remember" (FB 253). The single was produced by Doug Trevor, he also wrote the B side. The trail goes a bit cold after 1975 tho..mp3

Post 571 - Diamond Cutter - Wild Colonial Woman - There You Go

Fraternity’s  John Bisset’s love of London women, pubs and beer slowed him down somewhat, but he eventually returned to Sydney in 1981. He managed to score a programming gig with LaPorte Chemicals in Banksmeadow and a flat share over the road from the Robin Hood pub in Waverley with two lovely young women. John Eyers from “Fraternity” came visiting and wrought havoc in John’s life by taking him on a tour of his regular hangouts, meeting some very extraordinary people and experiencing new heights of alienation and paranoia by sampling the substances they offered. John’s erratic drunken personality swings became too much for my young flatmates and he moved to a flat near Bondi Beach. He drank at the Bondi and the Astra and at a late night watering hole called the Fondu . Through another ex-Fraternity member John Freeman he met Billy McMahon who had played bass with John Swann's band “Swanee”. He eventually recruited a guitarist Brett Hamlyn, vocalist Terry Barker and drummer John Affleck and Mal Logan and rehearsed in a Darlinghurst studio for a few months late in 1982. They called the band “Diamond Cutter” and started playing around Sydney and the Gold Coast in 1983. In mid-1983 they attracted the offer of a recording contract from CBS records on the strength of demo tapes they made of their   original material. His day gig later was with Ajax Chemicals in Auburn as a freelancer with a Kiwi boss called John Rolley. With the help of a young girlfriend John stayed off the booze for about 6 months during Diamond Cutter's rise. She encouraged him to attend several sessions with a psychologist who first suggested to him that he may be an alcoholic. He actually attended one meeting for alcoholics in West Sydney but he wasn't totally ego-deflated enough to get on board at that time. A strange sequence of seemingly supernatural events got John back onto the booze in a big way and he managed to destroy his credibility and ultimately Diamond Cutter as well. It’s a pity that only one single was released by Diamond Cutter “ Wild Colonial Woman” b/w “There You Go” (BA 223156) in 1984 for CBS. John penned both sides of the single, the single was produced by the band with Guy Gray & Steve Bywaters engineering and Chris Gilbey mixing the record at Studio 301, Sydney.  mp3

Post 570 - Healing Force - Golden Miles - The Gully

Healing Force was something of a 'supergroup', and its history intersects with several other important bands of the period, notably King Harvest and Friends. They made only one single, but it is still widely regarded as one of the flagship Australian progressive rock releases of the early '70s. All the members had a wealth of experience – Laurie Pryor had been the drummer in the The Twilights; Charlie Tumahai   was from Nova Express; Mal Logan was from The Rebels and Lindsay Wells had been a member of Perth's rock pioneers Bakery.  The first line-up formed late in 1970 and began playing in Adelaide over the '70/'71 Christmas period. They played at several early rock festivals including Launching Place. In April 1971, they signed with Robie Porter's new Sparmac label. Midway through 1971, they expanded to a five piece with the addition of John Pugh (ex-18th Century Quartet) on guitar. In July, they released their single.  "Golden Miles" b/w “The Gully” (SPR-009), penned by Lindsay Wells, it is one of the most admired Australian progressive rock recordings of the period. It was very successful and spent nineteen weeks in the Melbourne charts, barely missing out on entering the Top 30. It features rippling Hammond organ by Mal Logan, highlighted by the soaring vocals of the late Charlie Tumahai. The flip-side, another Lindsay Wells composition, was heavier but almost as good. Just before the single hit the charts, Charlie quit to join Chain and the group returned to a four piece. Pryor left soon after and was replaced by Joe Tattersall (ex-Barrelhouse), but then Lindsay also left and the band fizzled out. In November 1972, Healing Force reformed with Logan, Pryor and Pugh, plus newcomers Gus Feniwck (bass) and Mal Capewell (ex-Company Caine) on reeds. This version performed at the Sunbury Pop Festival in January 1973, with Charlie rejoining especially for the show. One track from their set, "Erection", was included on the Mushroom Records Sunbury '73 album. They disbanded shortly afterwards, during preparations for a planned LP, leaving their considerable promise sadly unfulfilled. mp3

Saturday, 14 March 2015

Post 569 - Johnny Devlin & Sailing- I'm Heading For L.A - I'm Heading For L.A. (Instrumental)

The 1984 Summer Olympics, officially known as the Games of the XXIII Olympiad, was an international multi-sport event held in Los Angeles, California, United States in 1984. Legendary rocker  Johnny Devlin who turned his talents to sport for this single that was sponsored by a very well-known Australian airline Qantas who were involved in getting the many Olympic fans to the U.S. Johnny’s backed by Sailing on this single and it was released on Majical Records and judging by the Cat. # JD-001 must be the first release. Technician was Richard Lush and was recorded at Paradise Studios.  Side B was an instrumental version of “I’m Heading For L.A.” and featured Tim Fitzgerald on Lead Guitar. Again thanks to Tim for digging out this gem.   mp3 

Tuesday, 10 March 2015

Post 568 - Norman & Effie - Amigos Para Siempre - Venereal Girl

"Effie" (full character name "Effie Stephanidis") is an outrageous comedic character played by Australian actress Mary Coustas. Coustas depicts a stereotypical second-generation Greek Australian. The character originated in the comedy program Acropolis Now, which ran from 1989 to 1992. Effie's catchphrases include "How embarrassment!" (See malapropism) in response to any potentially embarrassing situation. She greets people with "Hello, good thanks" before they have even asked her how she is feeling. Norman Gunston was a satirical TV character performed by Australian actor and comedian Garry McDonald. The Gunston character was originally conceived by comedy writer Wendy Skelcher and first appeared as a minor character in the second series of the cult Australian TV comedy series The Aunty Jack Show in 1973. His segments as Norman in “What's On In Wollongong” became one of the most popular parts of the Aunty Jack Show, and Norman appeared on the “Aunty Jack Sings Wollongong” album along with McDonald's other character, Kid Eager. In 1992, Effie released a novelty single: a duet with Garry McDonald's Norman Gunston, recording their version of Andrew Lloyd Webber's "Amigos Para Siempre" (74321125792) for BMG Records. The song was the official song of the 1992 Summer Olympics (originally performed by Sarah Brightman and José Carreras). The single reached the Top 20 chart in Australia.   mp3

Sunday, 8 March 2015

Post 567 - Col Elliott - It's A Quid Mate - Don't Knock It LP

Col Elliott has been pushing our belly-laugh buttons for over 40 years. He is one of Australia's most loved and in demand performers. Col takes his audience on an incredible ride with his stand-up, his zany characters and his unique brand of story-telling and music ......He does it all. His many album and DVD releases have not only given him gold and platinum status, but have generated a huge fan base which manages to cross all generational boundaries. Here from 1986 is Col’s LP “It's A Quid Mate - Don't Knock It” (COL-30008). Thanks to Tim for fixing this one  up for the Blog.   mp3 

Post 566 - Dark Tan - After Dark....Tan LP

Alston Koch, is a Sri Lanka born Australian singer-songwriter. He migrated to Sydney, Australia where he was most successful in the entertainment and professional music industry while recording for RCA/Laser Records and the Australian TV Network Channel 9's "Living Sound" recording label. In Australia, he formed his band Dark Tan and recorded three international hits on the RCA label. He has performed internationally with Dark Tan, S-witch, and as a solo artist. One notable appearance was during 'The Stars & Stripes Concert' in 1976, performing under the Sydney harbour bridge on a floating pontoon for Radio 2SM. Rock Brains Of The Universe and music historian Glenn A Baker has said that 'Alston & Dark Tan' were the originators of Disco Music in Australia. His first self-written major hit, "Disco Lady", earned him his first gold record. The song also won him and Dark Tan the 'Best New Talent' at the 1979 International Disc Jockey Association Awards (Before the ARIA'S ) and that same year Dark Tan won Australia's Observer newspaper's 'Best Disco Band' award. George Levendis of Motown Records in New York said he had the best soul voice in Australasia and Robert Racic the legendary Dance Music producer called him the Luther Vandross of Australia. Here to download is the “After Dark…..Tan” (VXL1-6514). The album was produced by Alston Koch except for the track Disco lady that was produced by Mario Millo. Engineers were Alex Duyser and Peter Hood. The album was recorded between January 1978 and March 1980.  On a personal note I must say I wasn’t a big fan of Disco at the time and I didn’t buy this LP until about 30 years later when I pick it up somewhere in a second-hand record store in Sydney.  A week ago I received an email from a guy in Canada named Andrew, he said he liked Australian music and wondered if I could help him track down a band called Dark Tan. I thought now there’s a name I haven’t heard of in a while. So after digging in some boxes I found the LP and I must be honest this is the first time I have played it and I must say Alston Koch has a brilliant voice, it really blew me away. I’m sorry now I never played it much sooner and I’ll be looking for other recordings by this man I can assure you.     MP3

Friday, 6 March 2015

Post 565 - Peter McKenna - Smile All The While ' It Takes Time

McKenna was the second of five children to Winnie and Kevin McKenna. He grew up supporting Essendon and played soccer until he was 13. Recruited from West Heidelberg, McKenna credited Collingwood coach Bob Rose for patiently helping to shape him into the champion footballer he was to become.] In the opening round of the 1966 VFL season against Hawthorn at Victoria Park, McKenna gave a glimpse of what was to come when he kicked 12 goals in a match-winning effort, the first of thirteen occasions when he would kick ten or more goals in a game. However, McKenna's form dropped away and after being held goalless against North Melbourne in Round 6, he was dropped for the remainder of the season. McKenna topped the Magpies' goal kicking list for the first of eight consecutive times in 1967, booting 47 goals. Over the ensuing seasons he gradually improved, kicking 97 goals in 1969, before amassing an incredible tally of 143 the following year. What was even more incredible was that it was not sufficient to top the VFL's goal kicking list; Hawthorn's Peter Hudson kicked 146 goals, adding a record-equaling 150 goals in 1971 compared to McKenna's 'modest' tally of 134. From the start of the 1968 VFL season to Round 3, 1974, McKenna kicked at least one goal in 120 consecutive games, still a competition record.  But he did record two single when not playing football, on post # 470 you’ll find Peter’s first single for Fable Records and this one is from 1971 penned and produced by Johnny Young for Festival “Smile All the While” b/w “It Takes Time” (FK4383).  Altogether, McKenna's VFL record of 874 goals from 191 games was enough to place him as the league's fourth-highest goal kicker at the time of his retirement, behind only Gordon Coventry, Doug Wade and Jack Titus. At the start of the 2014 AFL season he sits ninth all-time. His full senior and representative career yielded 1213 goals.   mp3

Sunday, 22 February 2015

Post 564 - Peter Williams - Hey Hey W.A. - I Found Out Where It's At

This single had me bewildered couldn’t find a thing on it anywhere, so what does one do but ask the man himself. This is what Peter Williams wrote me…….
Hi Gary,
Great to hear from you, Hey Hey W.A, was a song we recorded as a promotional vehicle for WA sport etc!  It was recorded in '78 and financed by local Perth Nightclub owner Bob Maher and was meant to be a "localised" WA   "Come on Aussie Come On!" It ended up with moderate local success; I did an appearance promoting it on an Edition of Donnie Sutherland's "Sounds" show that was televised from W.A.!! The song was used in a local W.A. Election by the Liberal party, and also in the 150th W.A. Anniversary Telethon.

Thanks very much Peter for this info on this single much appreciated. And another Peter for giving me these singles to fix up for the Blog.   mp3 

Post 563 - Peter Williams - Give Me A Sign - My Guitar

After “The Groove” broke up Peter Williams decided to concentrate on song writing for a while and had some success.  He wrote a song that ended up being recorded by a number of people including “The Marmalade”, “Joe Dolan”, a Scottish Group named “The Dream Police” who some members from became “The Average White Band”, Hamish Stuart (the vocalist) was later in “ Paul McCartney’s Band”. Another song was recorded by Tina Charles the U.K. disco singer, another he wrote was “The Good Book” recorded by Lon Satin who was understudy to “Sammy Davis Junior” in the musical “Golden Boy”.  Even Kiwi recording artists Frankie Stevens & Kal Q Lated Risk recorded a song Peter penned “I’ll be home”. During this period he released the only solo record he ever released called “Give me a sign” / “My Guitar” (6006 105) on Phillips recorded in the U.K.  This record was produced by Alan Parker, guitarist from “Blue Mink” & it wasn’t until many years later that Peter realised that Herbie Flowers on bass & the rest of “Blue Mink” were the “backing band.” Peter penned both sides of this single. mp3 

Post 562 - Martin Plaza - Plaza Suite

Best known as one of the main vocalist/songwriter in Mental as Anything Martin Plaza was born Martin Edward Murphy on the 1st of January 1956 in Sydney’s North Shore.  He took advantage of the first real break in the Mentals' career and released his debut solo album in 1986. “Plaza Suite” was not a departure from what the Mentals were doing on their previous album, “Fundamental as Anything.” Most tracks on this LP could have been on Mentals albums. A batch of great songs, Plaza sounds confident and self-assured on this album, never letting the album's slick sound take over. His voice is still one of the best in the music world, a perfect mixture of Orbison, Presley, and Ferry. The album is mostly self- written, and his brilliant cover of "Concrete and Clay" fits in with the originals perfectly. Plaza and the Mentals have always specialized in great song writing, and almost every track here is no exception to that rule. The opener, "Pit Stop," contains all the elements of the perfect Plaza song with his heartfelt vocals. Other highlights includes a great pop song "Miss You Like Mad" and "Use Me All Over," "I Could Be So Good," and “Best Foot Forward." mp3

Post 561 - Greg Anderson - Greg Anderson LP

Greg Anderson born in Melbourne, on the 12th Oct. 1950, was a "one-hit wonder" in terms of pop chart success, but he was born into show business and he has been performing for most of his life. His parents had a whip-cracking act, and at fifteen months old the infant Greg was appearing with them on tour in England at venues like the London Palladium, and he regularly appeared with them as he grew up. At seven he took part in the Moomba Rodeo Festival as a trick rider and by the time he was ten years old Greg was appearing on major television shows and performing his own stage show for Coca Cola, which travelled throughout his home state of Victoria, after which he joined Channel Nine's "Tarax Show", where he performed weekly. At 15, Greg gained national recognition by reaching the Grand Final of the prestigious television talent quest Showcase, which led to him being represented by top management agency NLT. By the mid-Sixties the multi-talented youngster -- who sang, danced and played guitar, piano and drums -- was a regular on the Melbourne pop circuit, making TV appearances and undertaking country tours. Some of his TV appearances were on the pop show Kommotion, and he recorded his first two singles for the short-lived Kommotion label. Greg's debut single (Feb. 1966) is of particular interest to Bee Gees fanatics because it features uncredited backing by The Vince Maloney Sect (who also released one single of their own on Kommotion). The A-side of the single is a pounding cover of "I Feel Good"; this was not the James Brown classic, but a song written by the great Allen Toussaint under the pseudonym 'Naomi Neville'. By 1970, Greg's music had taken a new direction and he had begun writing his own material. That year he was one of the Australian performers chosen to represent Australia at Expo '70 in Osaka. Later that year he scored his only national hit, the title track for the telemovie “No Roses For Michael”, one of the first local screen productions to address the rising problem of heroin addiction among young Australians. “No Roses For Michael" (Festival, 1970), written by Greg and produced by Pat Aulton, gained a lot of airplay in late 1970 peaked at #21 at the end of October. It was followed by a self-titled album “Greg Anderson” (L 25053) for Festival Records here for you to download. Greg recorded three more singles for Festival, one in 1971 and two in 1972, but evidently none of these made any impression on the charts. A curious feature of all three is that the A-side of his Dec. 1971 single, "It's Over", was evidently recycled as the B-side of both subsequent singles. mp3 

Saturday, 14 February 2015

Post 560 - Margot Moir - Strong & Mighty

Margot Moir was the middle sister to Jean and Lesley Moir, who in 1974 had a #8 hit with “Good Morning How Are You” as the Moir Sisters. Margot also issued a solo single, “Scarlet Skies” b/w “Tightrope” in 1989, and album, “Strong And Mighty” (NEW2009 2) for New Market Music in 1996. Two names that popped out at me were Peter Cupples on backing vocals and Broderick Smith on harp, also on backing vocals Margot’s husband Claude Cesario and daughter Rae. Margot was also in big demand as a session backing vocalist, she was handpicked by John Farnham himself for the inaugural Whispering Jack tour. Recently she recorded and sang with the bands “Raymalane” and “Celtic Spirit. “For over 10 years.  Sadly Margot died on 26 January 2015 at age 56 at Royal Melbourne Hospital due to complications from long term diabetes.     mp3

Saturday, 7 February 2015

Post 559 - King Biscuit Time - A Beer And A Bex

This mini LP was sent to me from my friend Tim in Taree who found this gem in a second hand record shop. According to my books it was released in 1985 and they were a Sydney band. This is the only recording the band released, “A Beer and a Bex” (KBT-789) on Seahorse Productions. David Davies – guitar & vocals penned all four tracks, other members are Mark Elliott – sax, Larry Freidberg – drums, Rupert Jeans – guitar, Ralph Marshall – bass and Rada – keyboards. At this time that’s all there is on this great Rock/Blues band. After having a listen to this mini LP all it left me with is wanting more, a very good album indeed, like the man said “Do yourself a favour”. Thanks Tim.     mp3

Monday, 2 February 2015

Post 558 - Tony Savage Band – Bye Bye Bluebird – Faster Than Lightning

This may well be my shortest notes on the Blog by far. Being a Vanda & Young composition I thought there would be something out there on this band but nothing, they appear in only one of my books and all it gives you is the name of the band and the song title well really not even that because the books says the song was Bye Bye Love, a big typo for sure. I haven’t even come across this label before “Living Sound “. The producer is Tony Savage and engineer Peter Hood and the single recorded in 1977 with Tony writing the B side. No band members no nothing. So enjoy these rare tracks “Bye Bye Bluebird” b/w “Faster Than Lightning” (LS-102901), I’d say until I find out different this was the only record released by this band.    mp3

Sunday, 1 February 2015

Post 557 - Jel Elliff - The Singles - 1971/1975

 Jel Elliff was born in Scotland and came to Australia in 1970 . He was first heard of in a Sydney band called "Chantry Barn" whose other members included Al Ward (later of Al Ward/Dan Johnson fame) and a female singer, Jel's girlfriend at that time, Del Ford aka Delores Foxtonfinn who was last heard of in a Newcastle band in the 1990's called "Me, Me, Me". Chantry Barn, as far as I know, never recorded anything official but was a great live act around the folk clubs of Sydney. When Chantry Barn broke up, Jel went solo, scoring a contract with the Australian HMV label. From 1970 – 1972 he released 4 singles:

What Are You Doing Sunday / Willoughby (May 1971, #44 Adelaide; #30 Brisbane; #23 Perth) HMV EA-9560
Going Nowhere / Pearly John (Aug 1971, #28 Adelaide) HMV EA-9625
Cotton Jenny / Suzanne (Jan 1972, #32 Brisbane) HMV EA-9776
Silvertown Girl / Morning Has Broken (Nov 1972) (Did Not Chart) HMV EA-9955
No album was ever released but surely after 4 singles one must have been in the works at some point. Jel toured around the country but mostly in Sydney & Melbourne. In November 1971 Jel represented Australia with the song “Going Nowhere” at “Yamaha's World Popular Song Festival” in Tokyo where he reached the 2nd semi-final and also won the “Composers Award”.
After his HMV contract ran out Jel returned to his birth country of England. Now, having reverted to his real name of “Jel Tyson”, he formed a band with another Australian, Paul Matthews (real name: Paul Simmons). They called themselves “Alaska” and started playing gigs in the pub and folk club scene around London. Before too long they managed to score a recording contract with the Warner Brothers label. Two singles were forthcoming:
I Don't Know Why / Out on a Limb (#19 UK Charts) (Warner Bros K16440 UK, July 26, 1974); Warner Bros 6338 (Aust, Nov 1974)
Lend a Hand / Turn Around (Warner Bros K16546 UK, May 9, 1975)
The singles (the first one was also released in Australia) had a “McGuinness Flint” type of sound and the first single managed to get some good airplay and ended up in the English charts getting as high as #19. Unfortunately the second single flopped and the album they had recorded during 1975 wasn’t released which is a great shame as it’s quite wonderful with its "America" style acoustic arrangements and wonderful harmonies. I have had the pleasure of hearing this fine  album and I can’t work out why it was never released.
Following the demise of “Alaska” (circa late 70’s) Jel found himself in America (Chicago to be precise) where he ended up fronting one of Chicago's top 80's bands - "The Reason". This band generated a large and loyal following throughout the midwest, gaining success by opening for major acts such as Duran Duran, The Psychedelic Furs, The Go-Go's and The Stray Cats before disbanding in the mid-80's. Jel then returned to Sydney, Australia, where he built a state-of-the-art recording studio - “Fat Boy Studios”. Fat Boy served as the recording studio for budding Aussie rock groups such as The Church, The Hoodoo Gurus and Midnight Oil. During this time he also formed a few bands - “Different Tongues" and "The Bleeding Hearts" were two of them and they played around the Sydney pub scene. I don't think any of these bands ever officially released anything but their many demo recordings are pretty good for the time. Eventually, in the early 90's, Jel closed the studio and returned once again to the U.S. and there he raised a family. He is still in the US and has over the years fronted a couple of bands with the most recent being an almost straight country band called “The Autrys” which are far removed and, in my opinion, nowhere as good as the acoustic and jangle pop he did so well in the 70’s and 80’s. He also released a CD circa early 2000’s called “Bleeding Hearts”.

Here to download are all of the “Jel Elliff” H.M.V recordings as well as the two Warner Bros “Alaska” singles. Like so many artists on this Blog there was little if any info on Jel Elliff, so a “BIG” thanks goes to Ian MacCarthy for helping with the history of Jel. Any corrections would be most welcome.        mp3

Saturday, 31 January 2015

Post 556 - The Bootleg Family - Singles Collection

Brian Cadd originally put together The Bootleg Family Band (aka The Bootleg Family & The Bootleg Band) as the house band for the independent label Bootleg, which Fable Records boss Ron Tudor had established with Brian in late 1972. The idea was that the Bootleg house band would provide musical backing for records and tours for him and the other artists signed to the label. The Bootleg members were all seasoned veterans of the Melbourne scene, equally at home on stage or in the studio. Drummer Geoff Cox was one of Melbourne's most in-demand studio players, with a huge string of sessions to his credit.  Gus Fenwick was a former member of the highly-rated but short-lived Healing Force. Trumpeter Russell Smith joined the band in April 1973, making it an eight piece. He was a long-serving member of the Ram Jam Big Band, Levi Smith's Clefs. Other members included Tony Naylor (guitar), Brian Fitzgerald (keyboards) 1973-75, Penny Dyer (vocals), Angela Jones (vocals), Louise Lincoln (vocals), Clive Harrison (bass) 1975, and Ian Mason (keyboards) 1975. Besides backing Cadd and other Bootleg artists, the Bootleg Family Band recorded four Singles (here for you to download) and scored two major hits under its own name. Their debut was a cover of Loggins and Messina's "Your Mama Don't Dance" and featured Cadd prominently. The second single "Wake Up Australia" failed to chart but the third single, a cover of the late Betty Everett's "Shoop Shoop Song” became a Top 10 hit. The four single A-sides were combined for the four-track Bootleg Family Band EP alongside their fourth and last single "Green Door", which barely scraped into the Top 100.  By 1975 it was becoming difficult to keep the large band on the road, so in May the line-up was cut back to a four-piece comprising Naylor and Cox with new members Ian Mason replacing Fitzgerald (who moved to America) and Clive Harrison replacing Fenwick. Renamed simply The Bootleg Band, this line-up was used for mostly for touring, although they issued a final single "How Do I Try?" which scraped into the lower half of the Top 100.When Brian Cadd relocated to the States at the end of '75, Mason left the group and the remaining members renamed themselves “Avalanche”. A big thanks to Badger & Tim for the help with a couple of singles because mine had seen better days.    mp3 UPDATE Thanks to WoodyNet for some great art work for this collection ART 

Monday, 26 January 2015

Post 555 - Cyril B. Bunter Band - 2JJJ Live EP

If you wanted to experience Cyril B. Bunter Band in their own natural habitat, the only place to be was The Welcome Inn, the first bar up from the docks at the dirty end of Sussex Street. A fine standalone toilet tile pub where the band could turn up and play Loud, with no neighbours to complain. For almost five years from 1972, every Friday and Saturday, The Bunters, lit only by a couple of lights, would crank out set after set of filthy, blues-drenched boogie, always with the little front bar packed fit-to-bust: Usually three or four hundred sweaty people squeezed into a room that comfortably held maybe a hundred heads. There was no stage, the band played on the floor hard up against the wall, eyeball-to-eyeball with the front row of fans just three feet away. The regulars congregated from all points on the weekends from Bondi, Botany and Blacktown, from Clovelly, Cronulla and Collaroy, Manly and Maroubra, and everyone just had a ball. Spreading their wings beyond their Surry Hills/Bondi roots, The Bunters went on to become friends and touring partners with many great’s. Between ‘77 and ‘85, they performed on endless roads how tours including three national tours opening for “John Mayall’s BluesBreakers” and four tours with “Canned Heat”. After becoming fast friends with the band during three tours together, “George Thorogood and the Destroyers” recorded The Bunters’ song “Boogie People” as the title track of their 1985 album. Melbourne’s king of the blues, “Dutch Tilders”, travelled the Hume and Pacific Highways with The Bunters as his backing band during the same period. Recordings from the Bunters was scarce, their focus was always purely on the live connection, their sole studio album, “Mad Money In High Places”, available only at these shows. Original only ever one pressing a 1000 copies, and it sold out quickly. Here to download from a 2JJ Studio 221 concert, recorded in Glorious Mono around Dec. 1980 - Jan.1981 is the rare “2JJJ Live EP” (Z-OO1) released on Porksword Productions and produced Keith Walker and Jeff Baker.    mp3

Saturday, 24 January 2015

Post 554 - Johnny Dick – The Warrior – She Was My Babe

Have had a few requests for this single over the years and finally I snapped up a copy off EBay just before Christmas. Born in the Welsh town of Llanfairfechan but before he grew old enough to have to pronounce it his parents moved to New Zealand.  Drumming since the age of 12 Johnny Dick has played with the cream of Aussie music such as Max Merritt, The Aztecs, In Focus, Fanny Adams, The Wild Cherries, La De Das, Stevie Wright Band and John Paul Young’s All Stars Band. In an interview I once heard with Johnny he said when he first came to Australia playing in Max Merritt’s band at the Rex Hotel, the place was packed with musicians, one of them being Billy Thorpe. After the show Billy walked up to him and said he wanted him in his band. He asked Billy who else was in the band and Billy told him he would put the band around him so Johnny said could he bring the bass player Teddy Toi and Billy agreed then asked who was the lovely lady standing over there, which was Max’s girlfriend Jackie Holmes it was a sad night for Max he lost his bass player drummer and girl all in the one night. Here to download is Johnny’s one and only single “The Warrior” b/w “She Was My Babe” (AP-10949) for Albert Productions and produced by Vanda & Young in 1975. JD was with the JPY All Stars Band when this record single was released, so I would imagine they would have backed him, maybe someone out there knows for sure.    mp3 

Post 553 - Linda George – Circle Dance

Linda George is an English-born Australian pop, jazz fusion and soul singer from the 1970s. In 1973, George performed the role of Acid Queen for the Australian stage performance of The Who's rock opera, Tommy. She won the TV Week King of Pop award for "Best New Female Artist". Her cover version of "Neither One of Us” peaked at No. 12 on the Australian Singles Chart and her 1974 single "Mama's Little Girl" reached the Top Ten. Linda has provided backing vocals on releases by her contemporaries, including Brian Cadd, Madder Lake, Daryl Braithwaite, Normie Rowe, Jo Jo Zep, John Farnham, and Kerrie Biddell as well as many others. Throughout this time she worked with various ensembles. From early 1979 to 1981 she worked with the Paul Mckay Sound. During the early 1990s, Linda toured Russia with two of her seven brothers and Colin Hopkins, working for the Freedom from Hunger campaign. Back in Melbourne, she created a venue, Music on Q, for local original artists. She recorded an album here for you to download, “Circle Dance”, with Hopkins and Alex Pertout which was released in 1996 as a limited edition CD. Other musicians on this album were Ben Robertson, Darryn Farrugla, Sarah Morse, Graham Evans, Penny Dyer, Christine Sullivan and Tony Varcoe.     mp3 

Post 552 - Robin Jolley – Baby, What’s Been Getting To You – One Night

This was Robin’s 2nd last single as far as I know, released on L & Y Records in 1975. The single “Baby, What’s Been Getting To You” b/w “One Night” (K-6160), the A side was written by Marty Kristian and the B side written by Dave Bartholomew, Earl King and Anita Steinman and popularized by Elvis Presley in 1957. The single was produced by Lesley Shaw with help from Ross Burton and John French.    mp3 

Sunday, 28 December 2014

Post 551 - The Ormsby Brothers - The Ormsby Brothers LP

Following Post #549 I thought it only appropriate to put this LP on the Blog. The Ormsby Brothers only released one LP which won them the 1973 Easy Listening Vocal; Award by the Australian Federation of Commercial Broadcasters.  The latter part of the year was made up of T.V. and live appearances all over the country with the highlight being part of the first concert presented at the Sydney Opera House. The brothers were not contracted to a record company at the end of 1977; they had plans of putting together another album but are far as I can find out it never happen. I think it a bit strange that out of all my Australian books on Aussie music the only one that list The Ormsby Brother is Noel McGrath’s “Australian Encyclopaedia Of Rock. I have found this with a few bands/singers from time to time.  I can tell you this book now is in pieces I’ve used it so much and I’ve never found another to replace my battered version.  Here to download is there only LP from 1973 “The Ormsby Brothers” (EMC 2509) for EMI and produced by Peter Dawkins with arrangements by Mike Perjanik and engineered by John Taylor and Richard Lush. "UPDATE"
It’s always nice to get good feedback on the Blog and when it’s from an artist themselves it’s a real pleasure. Adrian Ormsby left some nice comments on the 2 posts of their material.   I recently received a detailed, personal email from him telling me so much more than any of the books. So if anyone is chasing particular details don't hesitate to contact me.

Saturday, 27 December 2014

Post 550 - Tom - Tom - Legend Of The Phantom - Phantom

Very little is known about this single by “Tom –Tom”, in 1981 released this one and only single “Legend Of The Phantom” b/w “Phantom” (13127), also in 1981 released the same single under the name of Mr.Walker. The song was penned by Tom Moeller which I assume might be the singer on the record. It was also released on Tom – Tom Records. I’ve only seen this on EBay once and it went for big dollars. Thanks to Peter for lending me his single to post on the Blog.

Friday, 26 December 2014

Post 549 - The Ormbsy Brothers - Singles Collection

Neville, Michael and Adrian Ormsby were born in New Zealand and began singing as a group in 1967. In September of 1971 the boys moved to Australia. Prior to Christmas in 1972 they released their first single “I Saw Mommy Kissing Santa Claus” b/w “The World Goes ‘Round & ‘Round” for H.M.V. Records. 1973 they released a cover of the Lesley Gore song “You Don’t Own Me” for EMI which became their only hit, making the top 10 in all states. They released a self-titled LP after the success of the single. They released six singles from ’71 to ’74 which only sold moderately and since 1975 they sang around the Sydney club circuit.   Here to download are all six singles with their B sides, a big thank you to Badger and his good friend Jason Johnstone who help me with the single “Bad Day For Love” which I didn’t even know about till I went to put this singles collection together...UPDATE Thanks to WoodyNet you can grab some great art work for this post here...Art 

Sunday, 14 December 2014

Post 548 - The 4IP Good Guys - Please Daddy (Don’t Get Drunk This Christmas) - It Must Be Love This Time

Here’s another from the 4IP Christmas singles, this one from 1973 again with Geoff Mullins on lead vocals. Produced by Rocky Thomas for RCA Records “Please Daddy (Don’t Get Drunk This Christmas)” b/w “It Must Be Love This Time” (102379) is here for you to download. The A side written by John Denver,  Mullins also branched into record production, co-producing a small hit by another Brisbane DJ Graham “Robbo” Roberts in 1975, called “Havin’ a Barbie / Rock & Roll DJ” (which can be found at Post #492).  After his run in radio, Mullins transitioned into the TV news room as an anchor on Brisbane’s Channel 0 news. It appears that the annual Christmas song was released for the years 1971 through 1976, with DJ Paul J. Turner taking over the headline name from Geoff Mullins in 1974. “Jingle Bell Rock” was released for Christmas 1975 which had been previously used in 1971 (but whether they were re-recordings or simply the old songs re-issued is not clear).  Mullins had one other (non-Christmas) hit, attributable to Geoff Mullins & the Good Guys, with a release called “Cold of the Wind / Running Bear” in mid-1972 (peaked locally at #26). Again a big thank you to Badger for his help.   

Post 547 - Geoff Mullins with The Good Guys - Jingle Bell Rock - The Ringing Reindeer

 Geoff Mullins was a popular Good Guy DJ with Brisbane radio station 4IP (all 4IP DJs were known as Good Guys).  He was an influential member that helped forge 4IP’s ratings success through the early 1970s against bitter rival 4BC.  From Christmas 1971, the 4IP team released an annual Christmas song, which became a short-lived tradition over the next few years.  Geoff Mullins was the focus of these songs, and the main vocalist. Here to download is their first Christmas hit from 1971 “Jingle Bell Rock” b/w “The Ringing Reindeer” (101993) for RCA Records. The single was produced by Rocky Thomas and Brian Nicholls. “Jingle Bell Rock”, reached #1 on the 4IP chart.  Hopefully we may be able to track down the other Christmas singles the guys did in time. Thanks to Badger for the notes and record for this post made my job very easy. 

Saturday, 13 December 2014

Post 546 - Various - Aussie Christmas 2011

Seeing the Christmas Season is upon us I thought I’d better dig out the Christmas music. In 2011 the Sunday Telegraph included this Christmas CD within its pages.  The eight tracks CD included Christmas songs from Anthony Callea, Human Nature, Hi-5, Olivia Newton-John &Vince Gill, Delta Goodrem, Guy Sebastian, Shannon Noll & Natalie Bassingthwaighte and Gondwana Voices & Sydney Children’s Choir. 

Saturday, 6 December 2014

Post 545 - Australian Cast - Return To The Forbidden Planet LP

Return to the Forbidden Planet is a Jukebox musical by playwright Bob Carlton based on Shakespeare's The Tempest and the 1950s science fiction film Forbidden Planet (which itself drew its plot loosely from The Tempest). It was billed as Shakespeare's forgotten rock and roll masterpiece.  Captain Tempest and his fearless crew journey into hyperspace...and beyond! This winner of the 1990 Olivier Award for Best Musical bursts with rock and roll hits, including "Great Balls of Fire”, "Good Vibrations”, “Teenager in Love", "The Young Ones" and "The Monster Mash".  The Australian version of “Return To The Forbidden Planet” (TVD 93354) was recorded Live at the Theatre Royal in Sydney. Cast members were Rory O’Donoghue, D.J.Foster, Tony Harvey, Jacqui Hall, Glen Hogstrom, Jonathon Maher, Julie Mullins, Rodney Dobson, Elliott Wiolshier, Tina Harris, Tom Lycos and George Washingmachine. The LP was produced by David Jacobsen in 1991 for ATA Records. I ask Rory O’Donoghue what he remembered about the show and he said…”It was rather a forgettable time Garry and a very strange show. From memory I believe it was “Young Girl" I sang but not sure what else is on LP”.

Sunday, 30 November 2014

Post 544 - Rick Pointon & Alan Windon With The Legendary Minmi Beach Band - I've Been Everywhere (Around Newcastle) - This Isn't A Comeback

Rick Pointon was formerly lead singer of Benny and the Jets who used to perform at the Star Hotel in Newcastle in the ‘70s. Pointon and musical partner Alan Windon had a crack at making a local rendition of the Lucky Starr classic "I've Been Everywhere". The song was released on Angelwood Records and charted in November 1981, in this version by Rick, he names all the places in the local Hunter Valley area where it was recorded. The single “I’ve Been Everywhere (Around Newcastle)” b/w “This Isn’t A Comeback” (13137), was recorded live in the Harry Scravvis Room Minmi Surf Club and mixed by Peter E. Sheedy at Angelwood Studios in 1981. Angelwood Records was based originally at Currabubula NSW Australia, just South West of Tamworth. First Issue on the label was “Bro Bill Rock” / “Getting Outta Time” by the band Angelwood. 

Tuesday, 25 November 2014

Post 543 - The Lovers - She Won't Call You -You're Late Home

A real mystery this band. All my Australian books on music only one says anything about the band and that is they only released one single in 1980 and they think they were a Sydney band with a question mark. The single “She Won’t Call You” b/w “You’re Late Home” (100153) on WEA Records was penned by Howard Minehan and Mike Davies which could have been band members but again nothing to state this anywhere. It was produced by Charles Fisher at Trafalgar Studios in Sydney. So like a few other posts on the Blog maybe someone out there knows more and will drop us a line.....UPDATE!..I got in contact with Howard Minehan and he told me "We were a Melbourne band but recorded the single in Sydney using session musicians although I played keyboards and Michael sang..we lived in Sydney for a year during the process and reformed the band back in Melbourne…crazy times..cheers"...Thanks Howard.

Monday, 24 November 2014

Post 542 - The Mal Green Sound - Follow Me - The Quando

Mal Green’s music path began in London UK, where from the age of 16, he started playing professionally. He collaborated, toured and recorded with countless groups and musicians including: The Honeycombs, The Love Affair, Octopus, The Chequers and Split Enz.When he was then invited to join Split Enz in 1976, they were based in the UK, Australia and New Zealand. They recorded and toured across Great Britain, Europe, America, Canada, Australia and New Zealand achieving international recognition with their hit singles and albums including “I Got You”, “I See Red”, and “History Never Repeats”… to name a few.  Albums he played on include Dizrythmia, Frenzy, True Colours and Corroboree/Waiate. In 1980, he released a solo single “Follow Me” b/w ”The Quando” with Mushroom Records. He wrote, arranged, produced and played all the instruments, with the exception of the bass guitar of Nigel Griggs and a few keyboard tracks from Eddie Rayner. Music was written by Mal Green and lyrics by Dave Osborne. Guest guitarist on ‘The Quando’ was none other than Red Symons. In 1981 he left Split Enz and Melbourne to base himself in Sydney. The diverse mix of fellow artists and groups with whom he recorded and toured from 1982 to 2008 include: James Blundell, Dave Warner, Dave Skinner (Roxy Music), Allan Caswell, Martin Cilia (The Atlantics), Steve Flack, The Hippos, The Henrys, Nigel Gavin, Rick Robinson, Chris Bailey, Steve Hunter, Peter Blakeley and Gumbo Fever. He has composed music for documentaries including National Geographic’s My Australia with Dick Smith. Mal designed and built GreenSoundMusic Studios with designer/builder Tony Stacey. Currently he is recording/engineering, producing and co-producing clients and composing music for documentaries and also playing drums on the occasional live gig.

Post 541 - Rod Kirkham - I Can't Get Sunday Out Of My Mind - I'm Talking To Myself Again

Rod began his professional life at the age of 10, appearing in a weekly musical entertainment television show in Melbourne, Australia, called "Brian and The Juniors", before being chosen as one of the six original members of the much loved, nationally televised variety show, "Young Talent Time”. He went on to become a "pop star" in his late teens, achieving a couple of "top 40" hits, and also hosted his own afternoon children's television show.  He appeared as a solo artist on most of Australia's television variety shows before joining a cabaret show band and extending his already extensive musical abilities into the area of arranging and producing. He then hosted a 13 week series of the television talent show, "Star Quest" and also guest-hosted a regional television variety show. After his marriage to Australian actress, Barbara Llewellyn, Rod opened his own singing school before moving into the advertising world and, in partnership with his talented wife, writing, arranging and producing some of Australia's most catchy jingles and promotional songs. In 1984 Rod and Barbara moved to Los Angeles and were very quickly signed to a music publishing contract, and continued to pitch their extensive range of talents to the music and films industries.  They returned to Australia in 1987 to begin their son's schooling and re-established their advertising music consultancy. Rod began his acting career in the popular night-time television soapie "The Box", where he met his future wife, Barbara.  Rod played the "bad boy" who after several months of "doing the dirty" eventually found that he could have a happier life being "a good man". Rod appeared with Barbara in several episodes of "Falcon Island", a children's television adventure series before he went on to co-host a ABC national radio series called about travel and music. While in Los Angeles, Rod entered the technology industry, selling high-end computer software into some of America's most powerful corporate and government establishments.  This exceptional experience paved the way for Rod to work at Microsoft Australia in both managerial and national marketing executive positions.  He went on to work as a corporate sales executive for Oracle Corporation and as a branch manager (of 30 staff) for a large Apple Computer reseller.  In the early 1990's, Rod launched a training consultancy and divided his time between facilitating computer software and human resource training courses for corporate clients, and co-hosting personal development seminars with Barbara. Today, the consultancy consists of a small team who focus on project management and database application software development for some of Australia's most successful companies. Here to download is Rod’s 1973 single for Image Records “I Can’t Get Sunday Out Of My Mind” b/w “I’m Talking To Myself Again” (IS-130). The single was produced by Peter Jones. 

Wednesday, 19 November 2014

Post 540 - Gino Cunico & Fugitive - Everytime I See Your Picture - Nothin's Like Nothin'

The Affair, a pop music group formed in 1966 as The Gino Affair were initially led by lead singer and former child actor, Gino Cunico, by mid-year Cunico left to join The Executives. After that he went on to release an LP with fellow Executive Ray Burton "Strive, Seek, Find" (which can be downloaded at post # 302). He also released a few singles and LP’s in the 70’s in the U.S. The single here for you to download “Everytime I See Your Picture” B/w Nothin’s Like Nothin’” (ZS-1206) is a single he recorded for Wizard Records in 1984 with Fugitive. I have no idea what or who Fugitive are and not much info on this single at all. It was produced by Robie Porter, so maybe someone out there might know more about this recording and will let us know.. 

Post 539 - Gulliver Smith - Such A Shame - Platonic Love - Woman Pie

Born Kevin Smith, Smith appeared as a child performer in Melbourne in the early 60s, covering golden oldies from the 50s. Eventually he left this scene to concentrate on his growing love of R&B and soul, with his band the Children in 1966. Dr Kandy’s Third Eye followed in 1967/8; in the vanguard of Sydney’s ‘flower-power’ psychedelic music period, their strange performances attracted Australian press attention. A series of short-lived, but interesting bands followed, but it was with Company Caine that his lyric writing became noticed and the band, despite poor media attention and no radio airplay, remains one of the great Australian cult bands of the 70s. Both their albums are now regarded as collector’s items. Smith’s solo album was well received, but it did not bring him a new audience. He moved back to Melbourne and led several more bands of variable quality which did not gather a following outside their small bohemian scene. Later Smith lived in the UK and New Zealand for many years, before returning to Australia in 1989. His song writing was noticed by John Farnham, who included one of his co-written songs with Ross Wilson “A Touch Of Paradise.” Here to download is one of Gulliver Smith’s single from 1973 a 3 track single on Reprise Records, “Such A Shame” b/w “Platonic Love” “Woman Pie” (RPA-14006).  The single was produced by Gus McNeil. Sadly we lost Gulliver to a long illness last week. 

Tuesday, 18 November 2014

Post 538 - Keith lamb – The City – Didyavagoodweekend

This is the second single recorded by Keith Lamb for Wizard Records. The first being “Who Wants To Be A Millionaire” in 1977 (it can be found at Post #434), and this single from 1978 “The City” b/w “Didyavagoodweekend” (ZS-185). Both sides written by fellow Hush member Les Gock and Keith also the single was produced by Gock. 

Friday, 7 November 2014

Post 537 - Greedy's People - Greedy's People LP

Greedy's People the re-recording in full band mode of “Love Harmonica” and subsequent re-release of the album. This new version of the album from 1997 also on TWA, retitled “Greedy's People” (TWAD414), included a bonus recording of The Carpenters' Close to You and Nilsson’s Everybody’s Talking. The band included Paul Robert Burton, Charlie Cole, Tim Wedde, Antero Ceschin and special guest Michael Hawke on flute. The album was produced by Mark Thomas and Matt Lovell.

Sunday, 2 November 2014

Post 536 - Greedy Smith - Love Harmonica LP

Greedy Smith is the pseudonym of Andrew McArthur Smith born on the 16th January 1956,in Sydney, who is a vocalist, keyboardist  and songwriter with Mental As Anything. Smith wrote many of their hit songs including "Live it Up" which peaked at No. 2 on the Australian singles chart. At college he met fellow students, Martin Murphy, Chris O'Doherty, David Twohill and Steve Coburn, whose band, Mental As Anything, had been playing art school parties and dances since May 1976. While playing harmonica in another band at the time, Smith started appearing on stage with Mental As Anything from around December. He was eventually cajoled fellow Mental As Anything members to learn keyboards on an old wedding reception organ to fill in their sound and he quit his other band. In 1982, Smith played with Twohill in a group called The Space Shuttle Ramblers that recorded an EP, however the tapes were destroyed in a studio flood prior to release. In 1992, during the Mental As Anything sabbatical he formed a side group called Greedy's on the Loose that played gigs and recorded however no product was released. In 1996 he recorded a solo album “Love Harmonica” (TWAD115) for TWA in his home studio; this led to live work with a band dubbed Greedy's People and the re-recording in full band mode and subsequent re-release of the album. This new version of the album also on TWA, retitled “Greedy's People”, included a bonus recording of The Carpenters' Close to You and Nilsson’s Everybody’s Talking. 

Thursday, 30 October 2014

Post 535 - Carrl & Janie Myriad - Last Saturday (We Fell In Love Again) - I've Got My Heart Set On You

Obscure folk duo, Carrl & Janie Myriad were a popular husband & wife duo on the Melbourne circuit in the early 70's. Carrl & Janie went on to form one of our first country/folk bands, the self-named Myriad.  For a long time the band held a residency at the famed Station Hotel in Prahran, They released this single for Fable Records in 1970 “Last Saturday (We Fell In Love Again” b/w “I’ve Got My Heart Set On You” (FB-003). In 1972 they released their only LP “Of All The Wounded People”, released on Spin records.  Carrl & Janie separated & Janie reverted to her maiden name Janie Conway, helping to form, with Jane Clifton, another popular band of the late 70's, Stiletto. Janie is also the sister of Mic & Jim Conway of Captain Matchbox. I recently seen this single on EBay for $146.00 I think I paid about $3.00 for mine. 

Tuesday, 21 October 2014

Post 534 - Frieze - 1972 B.C.

Frieze was a curious side-track in the continuing careers of Beeb Birtles and Daryl Cotton, who came to fame as members of Zoot. After Zoot split in 1971 lead guitarist Rick Springfield launched his solo career and headed off the United States. Cotton and Birtles were approached through their management by a Melbourne advertising agency. One of the agency's national accounts was the clothing company, Frieze Brothers' Suits, who wanted to employ a pop group to help promote their products.  Beeb recalls "They wanted Darryl and me to form another group which they wanted to call Deep Frieze. The gimmick was that they wanted every guy in the band to be named after a type of material, meaning cloth material. So obviously Darryl Cotton was fine but they wanted me to call me Terry Lean and I was to have a brother called "Crimp" (as in Terylene and crimplene)."So we're sitting there thinking, hang on, we've already been through "Think Pink - Think ZOOT" and these guys are wanting us to do a similar, if not worse, thing. We promptly told them that to pursue this kind of idea; they would get laughed out of the country. Instead we talked them into doing a duo using just Darryl and myself and calling ourselves Frieze." With financial backing from Frieze, they bought a station wagon, a sound system and a tape recorder, which they used to provide pre-recorded backing for their shows and, of course, they were fitted out with a wardrobe of Frieze suits. They performed mostly in shopping malls, performing songs while male models showed off the latest Frieze suits. They played popular hits of the day including songs by Crosby, Stills & Nash and Young and they also did an Everly Brothers medley. During the latter stages of the group, they drafted in Brisbane band Burke & Wills as their backing group. Frieze lasted almost exactly one year, from June 1971 to June 1972. Their first single, a cover of Barry Mann and Cynthia Weil's "Feelings" ’71 (which can be found at post # 39) , came out on Robie Porter's Sparmac label and managed to scrape into the lower reaches of the Melbourne chart. They were then signed up by the newly established Australian division of Warner Brothers Records. Frieze recorded two singles for Warner which was released during 1972; Frieze's first single for Warner had Daryl's "Try Yourself" on the A-side, backed by one of Beeb's , "You and I". The third and last Frieze single featured two songs by Daryl “Why Do Little Kids Have To Die", backed by "Jimmie and Jessie".  The duo also recorded a full album, titled 1972 B.C. (WS 20006) here for you to download, It was produced by Brian Cadd; the LP did not feature Burke & Wills; the album line-up included several of the same musicians who had recently worked with Cadd on Russell Morris' acclaimed “Bloodstone” LP, Cadd on keyboards, with guitarist Phil Manning and bassist Barry "Big Goose" Sullivan, drummer Ray Arnott , session guitarist Charlie Gould and renowned jazz and session flautist/saxophonist Graham Lyell. By mid-1972 Birtles had grown tired of act and he told Cotton and manager Jeff Joseph that he was quitting, so the duo split; in July Cotton left for the USA. Meanwhile, Jean Gair offered Birtles a job answering phones at the AMBO office for $50 a week. It was there that he took the call that changed his life, he answered the phone one day and a voice said, "Yes, I was wondering if you could help me, I'm trying to get in touch with Beeb Birtles?" The voice belonged to musician Graeham Goble, formerly of Adelaide folk-rock group Allison Gros, who wanted Beeb to join his new band Mississippi. Beeb accepted, although Goble wanted him to play guitar rather than bass. The other members of Mississippi reportedly opposed this at first but Goble threatened that he would quit if Birtles wasn't hired. The rest is history. Birtles and Goble formed a successful musical partnership that endured through Mississippi and eventually led to worldwide success with Little River Band. A big thanks once again to Graham who weaved his magic making it possible to post this LP here on the Blog.